Acteon: The Inside StoryActeon: The Inside Story
by El Gato
I was biking to work one day and noticed a family of five
on various types of bikes. Dad on a mountain bike, with trailer
attachment for young son to sit and pedal, mom on a cross bike, with
trailer holding a child too young to ride, and the oldest child,
a girl, on her own fancy kids' bike. All wearing helmets. Mom and dad
were arguing, or, rather, discussing how far they should go, where
to get off the trail, whose turn it was to clean the bikes, and
just really enjoying the family experience. Made me
think of how the couple met and how they chose the path that brought
them to the Burke-Gilman trail in Seattle, Washington. You know,
that timeless theme of boy-meets-girl, of getting married and living happily ever after, dealing with mid-life crises, keeping up with the dot-com Jones's, and how to rationalize driving an SUV in the urban jungle and
running cyclists off the road because of talking on a cellular phone.
Speaking of timeless themes, in this program Benevolent Order
for Music of the Baroque once again presents a Charpentier masterpiece based on the ever-popular and ever-exciting story of Boy-Meets-Goddess. Yes, this opera is your basic boy-meets-girl story but with a twist. Acteon, the Hunter, (aka Boy) "happens upon" the Goddess Diana (aka Girl) bathing (naked, obviously) in a forest stream. Girl (aka Goddess) says boy must be punished for
his indiscretion, turns boy into a stag, where he is devoured by his own hunting hounds. (One has to admire the swiftness and unambiguous sense of justice in the Pantheon.) Hunting party realizes what has happened, sings songs of sorrow
and praise to Acteon, live miserably ever after but with happy ending.
Just another day in the land of Bullfinch's mythology.
The run down:
Great music by Charpentier
Fabulous singing by tenor in the role of Acteon
Mezzo fu, Soprano fu
Wild chorus of hunters, in flannel hunting caps, Wild chorus of wood nymphs (No goat leggings)
MASSIVE continuo band Baroque Dancer, in costume
Drive-in Opera Academy Awards to Acteon, for
singing his guts out as he goes through a metamorphosis worse than adolescence; to Juno, for being unbelievably mean and evil, and smiling the whole time; to Diana, for following mythological protocol to the letter, even though she would like to do otherwise; to the Chorus of Nymphs, just for being nymphs; to the Chorus of Hunters, for properly mourning their loss but still knowing how to have a great wake; and to Benevolent
Order for Music of the Baroque for doing it the drive-in way. Four stars. El Gato says check it out.
Back to the Innocence Lost:
Charpentier's Acteon page. 2000-01 Season /
Baroque Northwest /
Previous Seasons & Concert Programs